<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>a spring 2012 blog for writing &amp; culture &amp; writing abt film.</description><title>barefoot professor</title><generator>Tumblr (3.0; @aesmith)</generator><link>http://aesmith.tumblr.com/</link><item><title>wilco</title><description>Entertainment Weekly: "Did I read correctly that you were once mistaken for an usher at the Grammys by P. Diddy?"&lt;br /&gt;&#13;
Jeff Tweedy: "You did read that correctly, yeah. The first time Wilco was nominated for a Grammy it was for Best Contemporary Folk Album for the Mermaid Avenue album [Wilco's 1998 collaboration with Billy Bragg]. So I was standing outside the bathrooms waiting for my wife and some other guys in the band. And as they went into the bathroom everybody kind of unburdened themselves of their programs and their coats and jackets and stuff, so I'm standing there holding a big stack of programs. And Puffy and his entourage came up to me and took one of my programs. Like I was standing there offering them to people! I guess I just looked like a page. I didn't look like I belonged there, is the main point of the story. I might have been beaten with a diamond-encrusted cane, but things didn't go that way. So I feel lucky."</description><link>http://aesmith.tumblr.com/post/21919177125</link><guid>http://aesmith.tumblr.com/post/21919177125</guid><pubDate>Fri, 27 Apr 2012 13:17:50 -0400</pubDate></item><item><title>academic coach taylor</title><description>&lt;a href="http://academiccoachtaylor.tumblr.com/"&gt;academic coach taylor&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/21862119618</link><guid>http://aesmith.tumblr.com/post/21862119618</guid><pubDate>Thu, 26 Apr 2012 15:45:45 -0400</pubDate></item><item><title>pulp fiction</title><description>&lt;a href="http://www.youtube.com/watch?v=fMRi-gFeK-M&amp;feature=related"&gt;pulp fiction&lt;/a&gt;: &lt;p&gt;&lt;p class="MsoNormal"&gt;do two posts for Thursday, April 12, 2012&lt;/p&gt;

&lt;p class="MsoNormal"&gt;1) respond to hooks’ critique of tarantino.&lt;span&gt;  &lt;/span&gt;despite her being a fan of his work, what is her primary argument of the way he treats the patriarchy in his films? for instance, how could that be true in regards to tarantino’s treatment of female and african-american characters in this scene from &lt;em&gt;pulp fiction&lt;/em&gt;: &lt;a href="http://www.youtube.com/watch?v=fMRi-gFeK-M&amp;feature=related"&gt;&lt;a href="http://www.youtube.com/watch?v=fMRi-gFeK-M&amp;feature=related"&gt;http://www.youtube.com/watch?v=fMRi-gFeK-M&amp;feature=related&lt;/a&gt;&lt;/a&gt; ?&lt;span&gt;  &lt;/span&gt;despite all the “border-crossing” prior to this scene (whether or not you’ve seen the film), how does it seem that the patriarchy is restored at the end?&lt;/p&gt;

&lt;p class="MsoNormal"&gt;2) respond to one of your peer’s discussion of hooks’ article, either through the comment function on tumblr or in a post on your own blog (at least one paragraph).&lt;/p&gt;&lt;/p&gt;</description><link>http://aesmith.tumblr.com/post/20852988971</link><guid>http://aesmith.tumblr.com/post/20852988971</guid><pubDate>Tue, 10 Apr 2012 14:54:41 -0400</pubDate></item><item><title>Rape versus Mans/Laughter: Hitchcock's Blackmail and Feminist Interpretation</title><description>&lt;a href="http://0-www.jstor.org.library.acaweb.org/stable/462478?&amp;Search=yes&amp;searchText=hitchcock&amp;list=hide&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dhitchcock%26acc%3Don%26wc%3Don&amp;prevSearch=&amp;item=23&amp;ttl=22629&amp;returnArticleService=showFullText"&gt;Rape versus Mans/Laughter: Hitchcock's Blackmail and Feminist Interpretation&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/17331890176</link><guid>http://aesmith.tumblr.com/post/17331890176</guid><pubDate>Thu, 09 Feb 2012 15:58:18 -0500</pubDate></item><item><title>The Poetics of Camp in the Films of Alfred Hitchcock</title><description>&lt;a href="http://0-www.jstor.org.library.acaweb.org/stable/1348419?&amp;Search=yes&amp;searchText=hitchcock&amp;list=hide&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dhitchcock%26acc%3Don%26wc%3Don&amp;prevSearch=&amp;item=14&amp;ttl=22629&amp;returnArticleService=showFullText"&gt;The Poetics of Camp in the Films of Alfred Hitchcock&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/17331857106</link><guid>http://aesmith.tumblr.com/post/17331857106</guid><pubDate>Thu, 09 Feb 2012 15:57:40 -0500</pubDate></item><item><title>The Representation of Violence to Women: Hitchcock's "Frenzy"</title><description>&lt;a href="http://0-www.jstor.org.library.acaweb.org/stable/1212541?&amp;Search=yes&amp;searchText=hitchcock&amp;list=hide&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dhitchcock%26acc%3Don%26wc%3Don&amp;prevSearch=&amp;item=6&amp;ttl=22629&amp;returnArticleService=showFullText"&gt;The Representation of Violence to Women: Hitchcock's "Frenzy"&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/17331821678</link><guid>http://aesmith.tumblr.com/post/17331821678</guid><pubDate>Thu, 09 Feb 2012 15:57:01 -0500</pubDate></item><item><title>Hitchcock's World</title><description>&lt;a href="http://0-www.jstor.org.library.acaweb.org/stable/1210474?&amp;Search=yes&amp;searchText=hitchcock&amp;list=hide&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dhitchcock%26acc%3Don%26wc%3Don&amp;prevSearch=&amp;item=5&amp;ttl=22629&amp;returnArticleService=showFullText"&gt;Hitchcock's World&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/17331793325</link><guid>http://aesmith.tumblr.com/post/17331793325</guid><pubDate>Thu, 09 Feb 2012 15:56:28 -0500</pubDate></item><item><title>Visual "Drive" and Cinematic Narrative: Reading Gaze Theory in Lacan, Hitchcock, and Mulvey</title><description>&lt;a href="http://0-www.jstor.org.library.acaweb.org/stable/30130530?&amp;Search=yes&amp;searchText=hitchcock&amp;list=hide&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dhitchcock%26acc%3Don%26wc%3Don&amp;prevSearch=&amp;item=2&amp;ttl=22629&amp;returnArticleService=showFullText"&gt;Visual "Drive" and Cinematic Narrative: Reading Gaze Theory in Lacan, Hitchcock, and Mulvey&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/17331756560</link><guid>http://aesmith.tumblr.com/post/17331756560</guid><pubDate>Thu, 09 Feb 2012 15:55:47 -0500</pubDate></item><item><title>The Creature from the Black Lagoon: Marilyn Monroe and Whiteness</title><description>&lt;a href="http://0-www.jstor.org.library.acaweb.org/stable/20484410?&amp;Search=yes&amp;searchText=marilyn&amp;searchText=monroe&amp;list=hide&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dmarilyn%2Bmonroe%26acc%3Don%26wc%3Don&amp;prevSearch=&amp;item=9&amp;ttl=3390&amp;returnArticleService=showFullText"&gt;The Creature from the Black Lagoon: Marilyn Monroe and Whiteness&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/16934512392</link><guid>http://aesmith.tumblr.com/post/16934512392</guid><pubDate>Thu, 02 Feb 2012 16:02:08 -0500</pubDate></item><item><title>Some Thoughts on Theories of Fetishism in the Context of Contemporary Culture</title><description>&lt;a href="http://0-www.jstor.org.library.acaweb.org/stable/778760?&amp;Search=yes&amp;searchText=marilyn&amp;searchText=monroe&amp;list=hide&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dmarilyn%2Bmonroe%26acc%3Don%26wc%3Don&amp;prevSearch=&amp;item=6&amp;ttl=3390&amp;returnArticleService=showFullText"&gt;Some Thoughts on Theories of Fetishism in the Context of Contemporary Culture&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/16934477393</link><guid>http://aesmith.tumblr.com/post/16934477393</guid><pubDate>Thu, 02 Feb 2012 16:01:29 -0500</pubDate></item><item><title>9/11: remembering the dead</title><description>&lt;p&gt;in-class writing: examine a typical obituary online. then examine the new york times “portraits of grief.” discuss the writing style of the portraits. what seems to be the genre conventions? how are they similar or dissimilar to a more typical obituary? why might, in your view, did the authors chose to narrate the victims in this way? most importantly, how do these portraits (and the style in which they’re written) connect to the way we as a culture choose to narrate 9/11?&lt;/p&gt;</description><link>http://aesmith.tumblr.com/post/16926503718</link><guid>http://aesmith.tumblr.com/post/16926503718</guid><pubDate>Thu, 02 Feb 2012 12:54:12 -0500</pubDate></item><item><title>interactive portraits of grief</title><description>&lt;a href="http://www.nytimes.com/interactive/us/sept-11-reckoning/portraits-of-grief.html"&gt;interactive portraits of grief&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/16926447090</link><guid>http://aesmith.tumblr.com/post/16926447090</guid><pubDate>Thu, 02 Feb 2012 12:52:40 -0500</pubDate></item><item><title>original portraits of grief</title><description>&lt;a href="http://www.nytimes.com/national/portraits/"&gt;original portraits of grief&lt;/a&gt;</description><link>http://aesmith.tumblr.com/post/16926429950</link><guid>http://aesmith.tumblr.com/post/16926429950</guid><pubDate>Thu, 02 Feb 2012 12:52:12 -0500</pubDate></item><item><title>Photo</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxi3xzHMWx1r14hyao1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_lxi3xzHMWx1r14hyao2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_lxi3xzHMWx1r14hyao3_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_lxi3xzHMWx1r14hyao4_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_lxi3xzHMWx1r14hyao5_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_lxi3xzHMWx1r14hyao6_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_lxi3xzHMWx1r14hyao7_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;</description><link>http://aesmith.tumblr.com/post/16336125892</link><guid>http://aesmith.tumblr.com/post/16336125892</guid><pubDate>Mon, 23 Jan 2012 00:17:34 -0500</pubDate></item><item><title>disqus comment box</title><description>&lt;p&gt;&lt;a href="http://hannahryann.tumblr.com/post/9692035876"&gt;hannahryann&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;i just added a comment box to my profile, i’m not sure if everyone’s has this feature.&lt;/p&gt;
&lt;p&gt; &lt;a href="http://disqus.com/dashboard/"&gt;&lt;a href="http://disqus.com/dashboard/"&gt;http://disqus.com/dashboard/&lt;/a&gt;&lt;/a&gt; there’s the website for it. it’s totally compatible with tumblr. i think dr. smith wants us to comment on each other’s blogs but not everyone has the option to leave comments. hope this is helpful. btw, it’s free. :)&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://aesmith.tumblr.com/post/9694954949</link><guid>http://aesmith.tumblr.com/post/9694954949</guid><pubDate>Fri, 02 Sep 2011 00:05:17 -0400</pubDate></item></channel></rss>
